Description
The Rep & Melting Pot are looking for a Sound No1 for the new production of The Battle, opening at the Birmingham Rep and the Manchester Opera House.
Producers: The Birmingham Rep & Melting Pot
Location: The Birmingham Rep and Manchester Opera House
Contract Dates: Week Commencing Monday 26 January - Sunday 22 March 2026 (commencing in week four of rehearsals, concluding after the Manchester get-out)
Reports to: The Birmingham Rep Producing Team, Melting Pot General Management Team and the Sound Designer
Fee: £900 per week + Touring Allowance and travel in accordance with the UK Theatre/Equity Agreement
Production Details:
London, 1995. Two of the country's biggest bands release singles on the same day, commencing the battle of Britpop. From the chaos of the Brit Awards to the infamous chart war, The Battle is a wickedly funny dive into one of the greatest rivalries in rock history. Featuring legendary personalities and unforgettable clashes, it was never just about the music, but power, pride, and uncontrollable competitiveness. Expect filthy language and razor-sharp dialogue in this cut-throat new comedy that puts you right at the heart of the feuding, the fame, and the fallout.
Schedule
- Rehearsals, London, 5 January 2026
- Rehearsals, Birmingham, 26 January 2026
- Fit-Up & Technical Rehearsals, Birmingham, 2 February 2026
- First Performance, Birmingham Rep, Wednesday 11 February 2026
- Show Lock, Birmingham Rep, Tuesday 17 February 2026
- Final Performance, Birmingham Rep, Saturday 7 March 2026
- Holiday Week, w/c 9 March 2026
- Performances, Manchester Opera House, w/c 16 March 2026
- Final Performance, Manchester Opera House, Sat 21 March 2026
Purpose of the Role
The Sound No. 1 (Head of Sound) is responsible for the operation and maintenance of all sound equipment throughout rehearsals and performances, ensuring the department runs smoothly and the production maintains the highest technical standard.
We welcome and actively encourage applications from individuals of all backgrounds and experiences. If you require any adjustments to support your application process, please let us know when applying.
- Proven experience as a Head of Sound / Sound No. 1 on a comparable-scale production.
- Demonstrable experience of live line-by-line mixing on large-scale productions
- Experience of touring desirable but not essential.
- Excellent organisational and communication skills.
- Ability to work independently and as part of a team.
- Calm, flexible approach and ability to deliver consistently high standards under pressure.
- Commitment to equity, diversity and inclusion.
- Professional integrity and confidentiality in all matters.
- Someone who is dedicated to comply with all company policies including Health & Safety, Licensing, Equal Opportunities, Data and EDI standards.
- Someone who is ready to undertake any other reasonable duties as requested by the Producers or Company Stage Manager.
- Operate all sound equipment as instructed by the Sound Designer.
- Prepare and maintain accurate cue lists and sheets.
- Compile and submit a complete Sound Bible at the end of the contract.
- Supervise and support additional sound department members as required.
- Ensure all equipment is maintained, tested and safe to use.
- Conduct equipment and line checks before each performance.
- Manage petty cash requests via the Company Stage Manager and keep accurate records.
- Complete and submit accurate timesheets for the sound team
- Attend production meetings, rehearsals, calls and performances as required.
- Be present for get-ins, fit-ups, technical and dress rehearsals, and get-outs.
- Liaise with hire companies and suppliers regarding equipment maintenance or replacement.
- Work collaboratively with the Company Stage Manager and Heads of Department on move reports for Manchester.
- Liaise with local venue teams on technical requirements, maintenance and scheduling